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Tyler Perry gets a lot of ribbing for “simple-minded, hack buffoonery,” Scott Rudin gets called out for the first time from a Broadway stage and even the critics get poked ("Watch them write you off as lazy/Not to mention navel-gazy"). “The Lion King” is hardly alone as targets of some mischief. Jackson's sharp dialogue - “Snagging a man is like finding affordable housing in this town - there’s a long waitlist and the landlords discriminate” - is matched in his lyrics: “Why don’t you just ravage me/with your white gay Dan Savagery?” There are sly allusions to his influences, like “Exile in Gayville,” a riff on “Exile in Guyville” by Liz Phair, who incidentally wrote a song the musical has borrowed for its title. Jackson, who in real life was an usher at “The Lion King,” is also the songwriter, and he writes the 18 songs within the Broadway tradition, a lovely cocktail of rock and R&B, melded harmonies, ballads and belting.
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Stephen Brackett's direction is crisp and carefully varied over 100 minutes and terrific choreography by Raja Feather Kelly combines everything from twerking to gospel swaying. He's battling a toxic stew of romantic rejection and artistic self-doubt, from shame for his secret love of white girl music to fears of being a race traitor.Īlong for the ride are six sensational actors who play the chorus: Antwayn Hopper, L Morgan Lee, John-Michael Lyles, James Jackson Jr., John-Andrew Morrison and Jason Veasey. Jaquel Spivey, in his Broadway debut, plays Usher with such hang-dog and sweet poignancy that it may take audience members supreme self-restraint not to go up on stage and give him a hug. “I had some time to kill so I thought I’d drop in to remind you of just how truly worthless you are.” “It’s Your Daily Self-Loathing!” one says. Poor Usher is haunted by a Greek chorus of voices - his thoughts as well as homophobic family members - who pummel, undercut and berate him. That show is also called “A Strange Loop.”
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Jackson's 2020 Pulitzer Prize drama winner is a theater meta-journey - a tuneful show about a Black gay man writing a show about a Black gay man. Like them, it is astonishing, challenging and awesome. Jackson's “A Strange Loop” to the list that includes “Fun Home” and “Angels in America,” both of which have echoes here. If the wind was just right, Usher might be able to heave a rock and hit Rafiki.Įvery once and a while - sadly, too few - we get something that pushes the musical theater form completely, taking an utterly unforgettable, idiosyncratic trip. In the new musical that opened Tuesday at the Lyceum Theatre, we meet the character Usher, an unhappy playwright slumming as an usher at “The Lion King,” which in real life is playing just across 7th Avenue at the Miskoff Theatre. NEW YORK (AP) - There is a cosmic deliciousness to the fact that “A Strange Loop” has landed on Broadway mere yards away from one of its juiciest targets.